April 9, 2012
inbonobo:

I can’t believe how many people died taking this crap.. It seemed to provide a supposedly safe way to flirt with death.
Secobarbital sodium (marketed by Eli Lilly and Company, and subsequently by other companies as described below, under the brand name Seconal) is a barbiturate derivative drug that was patented in 1934 in the US. It possesses anaesthetic, anticonvulsant, sedative and hypnotic properties. In the United Kingdom, it was known as Quinalbarbitone.
Secobarbital began to be widely misused in the 1960s and 1970s, although with the advent of benzodiazepines, it has become less commonly used. Secobarbital has acquired many nicknames, the most common being reds, “red devils”, or “red dillies” (it was originally packaged in red capsules). Another common nickname is “seccies”. Another common nickname is “red hearts” according to the Wegman’s School of Pharmacy curriculum. A less common nickname is “dolls”; this was partly responsible for the title of Jacqueline Susann’s novel Valley of the Dolls, whose main characters use secobarbital and other such drugs.
Famous deaths related to use
Judy Garland was found dead in her bathroom by her husband Mickey Deans on June 22, 1969. The stated exact cause of death by coroner Gavin Thurston was accidental overdose of barbiturates; her blood contained the equivalent of 10 Seconal 100 mg capsules.[3]
Brian Epstein, the Beatles’ manager, died at his house in London on 27 August 1967. The stated exact cause of death by coroner Gavin Thurston was accidental overdose of barbiturates
Tennessee Williams was reported to have died of “acute Seconal intolerance” at the Hotel Elysee in New York City in 1983. Reports at the time indicated he had choked on a bottle cap but later reports indicated the Seconal connection.
Jimi Hendrix, guitarist and vocalist, died while at girlfriend’s Monika Dannemann flat in London. The coroner Gavin Thurston accepted that he had probably taken nine of his girlfriend’s tablets, after which he vomited and choked to death due to the tablets. He gave an open verdict (not enough evidence to say why he took so many tablets). He died September 18, 1970 aged 27.
Alan Wilson, vocalist and founding member of Canned Heat, was found dead at age 27 in 1970, from a self-induced overdose of Seconal.
Dorothy Kilgallen, an American journalist and television game show panelist, was found dead on November 8, 1965, having apparently succumbed to a fatal combination of alcohol and Seconal, possibly concurrent with a heart attack.
Dinah Washington, blues, R&B and jazz singer, was found dead at age 39 in 1963, from a lethal combination of secobarbital andamobarbital.
Beverly Kenney (January 29, 1932, Harrison, New Jersey – April 13, 1960, New York City) was an American jazz singer. Kenney committed suicide through a combination of alcohol and Seconal. She was 28.
Carole Landis was a popular actress of the 1940s who committed suicide on an overdose of Seconal in her Pacific Palisades, California home on July 5, 1948. She was 29.
Lupe Vélez, a Mexican-born film actress, committed suicide in 1944 with an overdose of Seconal. The story (which gained notoriety when described in Kenneth Anger’s Hollywood Babylon and inspired Andy Warhol’s film Lupe) that she died with her head jammed down the lavatory after slipping on vomit, is an urban legend.
Aimee Semple McPherson a Canadian-born evangelist and media celebrity in the 1920s and 1930s was found in a hotel room unconscious on September 26, 1944 after taking Seconal.
Leila Pahlavi (27 March 1970 – 10 June 2001) Leila Pahlavi was the youngest daughter of the Late Shah of Iran, Mohammad Reza Pahlaviand his wife Empress Farah. On Sunday 10 June 2001, Leila was found dead in her room in the Leonard Hotel in London just before 19:30 BST by her doctor. She was found to have more than five times the lethal dose of secobarbital in her system, along with a nonlethal amount of cocaine.
Charles Boyer (28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976. On 26 August 1978, two days after his wife died from cancer, and two days before his own 79th birthday, Boyer committed suicide with an overdose of Seconal while at a friend’s home in Scottsdale.
Poet Alejandra Pizarnik died in Buenos Aires of a self-induced overdose of Seconal.
Singer Phyllis Hyman (July 6, 1949 – June 30, 1995) committed suicide by overdosing on pentobarbital and secobarbital in her New York City apartment.
Use in physician aid in dying
Secobarbital overdose was the most common method of implementing physician assisted suicide in Oregon for many years. Subsequently, pentobarbital has dominated in Oregon PAD. Ranbaxy Laboratories Limited previously experienced various issues in their attempts to produce 100 mg secobarbital capsules. Currently, Marathon Pharmaceuticals is the sole marketer of the drug in the United States, although the drug remains manufactured by Ohm Laboratories.
It is a component in the veterinary drug Somulose, used for euthanasia of horses and cattle. (via wikipedia, obviously)

inbonobo:

I can’t believe how many people died taking this crap.. It seemed to provide a supposedly safe way to flirt with death.

Secobarbital sodium (marketed by Eli Lilly and Company, and subsequently by other companies as described below, under the brand name Seconal) is a barbiturate derivative drug that was patented in 1934 in the US. It possesses anaestheticanticonvulsantsedative and hypnotic properties. In the United Kingdom, it was known as Quinalbarbitone.

Secobarbital began to be widely misused in the 1960s and 1970s, although with the advent of benzodiazepines, it has become less commonly used. Secobarbital has acquired many nicknames, the most common being reds, “red devils”, or “red dillies” (it was originally packaged in red capsules). Another common nickname is “seccies”. Another common nickname is “red hearts” according to the Wegman’s School of Pharmacy curriculum. A less common nickname is “dolls”; this was partly responsible for the title of Jacqueline Susann’s novel Valley of the Dolls, whose main characters use secobarbital and other such drugs.

Famous deaths related to use

  • Judy Garland was found dead in her bathroom by her husband Mickey Deans on June 22, 1969. The stated exact cause of death by coroner Gavin Thurston was accidental overdose of barbiturates; her blood contained the equivalent of 10 Seconal 100 mg capsules.[3]
  • Brian Epstein, the Beatles’ manager, died at his house in London on 27 August 1967. The stated exact cause of death by coroner Gavin Thurston was accidental overdose of barbiturates
  • Tennessee Williams was reported to have died of “acute Seconal intolerance” at the Hotel Elysee in New York City in 1983. Reports at the time indicated he had choked on a bottle cap but later reports indicated the Seconal connection.
  • Jimi Hendrix, guitarist and vocalist, died while at girlfriend’s Monika Dannemann flat in London. The coroner Gavin Thurston accepted that he had probably taken nine of his girlfriend’s tablets, after which he vomited and choked to death due to the tablets. He gave an open verdict (not enough evidence to say why he took so many tablets). He died September 18, 1970 aged 27.
  • Alan Wilson, vocalist and founding member of Canned Heat, was found dead at age 27 in 1970, from a self-induced overdose of Seconal.
  • Dorothy Kilgallen, an American journalist and television game show panelist, was found dead on November 8, 1965, having apparently succumbed to a fatal combination of alcohol and Seconal, possibly concurrent with a heart attack.
  • Dinah Washington, blues, R&B and jazz singer, was found dead at age 39 in 1963, from a lethal combination of secobarbital andamobarbital.
  • Beverly Kenney (January 29, 1932, Harrison, New Jersey – April 13, 1960, New York City) was an American jazz singer. Kenney committed suicide through a combination of alcohol and Seconal. She was 28.
  • Carole Landis was a popular actress of the 1940s who committed suicide on an overdose of Seconal in her Pacific Palisades, California home on July 5, 1948. She was 29.
  • Lupe Vélez, a Mexican-born film actress, committed suicide in 1944 with an overdose of Seconal. The story (which gained notoriety when described in Kenneth Anger’s Hollywood Babylon and inspired Andy Warhol’s film Lupe) that she died with her head jammed down the lavatory after slipping on vomit, is an urban legend.
  • Aimee Semple McPherson a Canadian-born evangelist and media celebrity in the 1920s and 1930s was found in a hotel room unconscious on September 26, 1944 after taking Seconal.
  • Leila Pahlavi (27 March 1970 – 10 June 2001) Leila Pahlavi was the youngest daughter of the Late Shah of Iran, Mohammad Reza Pahlaviand his wife Empress Farah. On Sunday 10 June 2001, Leila was found dead in her room in the Leonard Hotel in London just before 19:30 BST by her doctor. She was found to have more than five times the lethal dose of secobarbital in her system, along with a nonlethal amount of cocaine.
  • Charles Boyer (28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976. On 26 August 1978, two days after his wife died from cancer, and two days before his own 79th birthday, Boyer committed suicide with an overdose of Seconal while at a friend’s home in Scottsdale.
  • Poet Alejandra Pizarnik died in Buenos Aires of a self-induced overdose of Seconal.
  • Singer Phyllis Hyman (July 6, 1949 – June 30, 1995) committed suicide by overdosing on pentobarbital and secobarbital in her New York City apartment.

Use in physician aid in dying

Secobarbital overdose was the most common method of implementing physician assisted suicide in Oregon for many years. Subsequently, pentobarbital has dominated in Oregon PAD. Ranbaxy Laboratories Limited previously experienced various issues in their attempts to produce 100 mg secobarbital capsules. Currently, Marathon Pharmaceuticals is the sole marketer of the drug in the United States, although the drug remains manufactured by Ohm Laboratories.

It is a component in the veterinary drug Somulose, used for euthanasia of horses and cattle. (via wikipedia, obviously)

(via fatbettyfrancis)

December 25, 2011
Ring The Damn Bells

In honor of this jangly holiday, here’s a videolist of few Bell-ish  bands:

Broken Bells

Sleigh Bells

Bell X1

The Bells

Blackbells

BELLS BELLS BELLS! MERRY CHRISTMAS EVERYONE!!  

December 21, 2011
Kodacrome Will Kindly Kick Your Ass

Aside from leading ladies, what do Luscious Jackson, Camera Obscura and The Blow all have in common? Much of their charm comes from keeping the listener closer to an emotional simmer than a boil. They are also paid homage, whether intentional or not, by Kodacrome, a male-female duo that has made a consortium of sound from the aforementioned bands and pixelated it into an antagonizing kick to the back of the head. Kodacrome is seductive, and far from the tepid intentions of their forbearers. 

Kodacrome’s Elissa Pociask and Ryan Casey combine a distinctly late-Nineties to mid-2000’s sound channeled through what sounds like a modest stack of drum machines for beginners and a voice dying to break out of a basement. It’s repression and energy; not really repressed energy, more like calculated energy carefully exerted from a repressed body. Think Sleigh Bells on Ritalin delivered by your best friend’s sexy older sister when you were fifteen.

Singer Pociask describes her lyrics as mean though I’m more prone to call them incendiary. More intriguing than the words however is how she delivers them. Pociask’s measured output resembles the fuming look in a woman’s eyes – that moment when she fantasizes about the fury to come – before she attacks her abuser or accuser to settle a score long overdue. Casey provides ample support from his table of mixers and dials as if to back Elissa up with Swayze’s legendary “Dirty Dancing” line, “Nobody puts baby in a corner.” (sorry, had to.)

Go see Kodacrome on January 5, 2012. They’ll be sandwiched in between Panda Riot and Magic Keys at The Hideout; a smart booking as containing this band in bookends will only incite a more scathing, and welcome delivery.

And see and hear them here and now (turn the volume up, bitches):

November 15, 2011
Bald. Sickly. Terrifying. Terrifyingly adorable.

No, I’m not talking about Gollum, or Austan Goolsbee. I’m talking about Moby - and believe me, I never thought I’d write about the guy, let alone with adoration -  with his latest dirty soulful, totally danceable track, “The Poison Tree.” It’s like the little guy spent a month on the Mississippi Delta picking up snippets of local sonic ephemera and made electronic marmalade with all the bits and pieces he sifted out of the soil there. A gem for an otherwise shitty corporate Tuesday.

October 28, 2011
Alabama Shakes: Dipping Into the Retro Well, Well

Whether praise or parody, I’m not entirely sure if it’s appropriate to make an Amy Winehouse reference yet so for those still feeling tender about her passing, look away. And for those feeling tender but ready for a new love, keep reading.

The Hideout just booked Alabama Shakes to play on December 15, 2011 and I want to tell you something: If you are in need of some raspy female crooning that twists really good straight ahead Americana rock with the beloved muffled maple syrupy doo wop Winehouse sound, you need to see this band.

Alabama Shakes are riding that fine and often failed line of making retro really fit today. Like Winehouse, they do dip into the retro well without draining the well of its dignity, or their own.

Holy shit, just take one listen of their bandcamp streamables: http://alabamashakes.bandcamp.com/.

I mean look at these guys!

October 25, 2011
Chad Valley is Serious

Ok, Chad Valley, I get it, you’re serious about this. I’m in. Take me to the light. Blow my mind.

Furthermore:

October 24, 2011
Review: Judson Claiborne, Electrified

Yes, yes you’ve already read my Judson Claiborne review from the summer time - or, real talk, you probably haven’t - either way, that was a smokey acoustic set in the early evening hours. Last Friday night, Chris Salveter mounted - like a cowboy ready to slay his lover’s imprisoner with charm and wit – the Hideout stage at roughly 11:15pm. It was the first time his full band, in its latest incarnation, played out together. Their output and energy was distinctly electric.

Spitting words of zen wisdom and reminiscing on lady-crushes, Salveter tore through a hefty set of freshly cemented tracks with the new crew, as well as some oldies that the band contributed to handedly. “Vassar Girl,” among the older songs, closed out the night as Salveter projected a story of college romance to a surprisingly chatty crowd finally muted and wrapped in his grip by the end of the night. Check out “Twilight Spirit,” which also elevated the crowd with its cricket-laden backdrop and cacaphony of guitar you’d think came from several…nope just two.

The band is on their way to producing some new material and picking up much more shows in the coming months. Look out for my interview with Salveter to come.

Also need to give some love to Leaf Bird, dudes threw down some excellent Joan of Arc meets Sunny Day Real Estate meets The Frames-esque jams. They live here: http://leafbird.bandcamp.com/ and have a blogspot with some solid streamable music from around town: http://leafb1rd.blogspot.com/.

 

October 13, 2011

A little Dirty Water for ya: In honor of my long-awaited trip back to New England this weekend for a dear friend’s bachelor party, please enjoy a little taste of The Standells.

(Source: stryofsound)

October 11, 2011
Alex Ross, Doing it Right

(photo credit: Alex Ross).

In the past week I’ve barreled through a few of Alex Ross’ articles from Listen to This surrounding more contemporary artists- Radiohead and Bjork- than his more opera and classical offerings. For those unitiated, and frightened by the thought of a critical assesment or history lesson on classical music, you will fall in love with Ross’ writing style and maybe even some of his more seemingly daunting content. Here’s why I did:

1)      Topical – No matter when he visited with Radiohead (early Aughts) or Bjork (mid Aughts, right around when she was working on Medulla), his work seems to resonate just as deeply today as when he first published it. Radiohead was the center of some recent Occupy Wall Street performance speculation and Bjork just released Biophelia, and Ross’ background on both provides ample context for their decisions of the day, both musically and socially.

2)      Self-effacing Fly on the Wall – Ross does an excellent job of painting the behind-the-scenes picture. He is judicious in which details he includes, ensuring they’re only built in to illustrate the artist at work and at play. Ross also avoids cluttering stories with references to his own participation in them, keeping the focus on the artist(s) at all times.

3)      Musical Language – Rossisn’t prosaic or melodramatic in his description of artists but he does tap into the nature of their music and where their music comes from, which he makes appear impossible to do effectively without writing somewhat musically himself. Whether intentional or not, or perhaps as utter necessity, Ross plays with his vocabulary and the rhythm of his storytelling like an instrument perfected.

Here’s a link to Alex Ross’ website, where you can find current blog-ish updates and purchase his books, Listen To This (where these articles live) and The Rest Is Noise: http://www.therestisnoise.com/.

October 6, 2011
The Leader We Lost: Steve Jobs, Deceased 10.05.11

I tweeted last night that with the passing of Steve Jobs we lost a visionary with poise and brilliant ideas at a time when the world needs precisely this type of individual most.

 Our world is in chaos right now. National and global financial institutions are crumbling, lying or in over their heads. Homes are selling for relative pennies in some parts of the U.S. and can’t be sold at all in others. The Middle East is in turmoil, which hopefully is just the bottleneck of socio-political upheaval it needs to go through to get to a better place; whether that better place is truly feasible or civilian unrest is for want is yet to be seen. The U.S. political system is broken. Candidates, including those with the best intentions, are bought, sold and dismissed by corporations (which somehow has become the driving force for elected governance in our country). Science is at odds with religion, civil rights and common sense.

 Our country needs strong leaders now more than ever. Military experience, religious provenance, and patriotism were once the simple litmus test of courage for our leaders. This will not suffice in our day, or in the next generation’s day. Sensitive, reasonable, just, inventive, imaginative, collaborative; these are the attributes today’s leaders need. These are the ambitions our country needs.

I didn’t know Steve Jobs. I don’t know how he was as a father, husband or business partner. But I do know that he had a vision for how we can live life more simply, more reasonably. In many ways, through his products and company, he’s taught us how to live more courageously.

Am I bothered by the way he reportedly set up iTunes so that artists still don’t get the cut they deserve? Yes. Am I concerned that technology could one day supplant human interaction? To some degree, yes. What I’m more worried about is the way we treat each other in this country and the way countries have decided to treat one another. An iPad is an iPad, a sheet of metal meant to make your day easier, offer escapism, entertainment and efficiency. Why don’t we focus a little more on how we can make life easier, and yeah, a little more entertaining, and less on how we can tear each other apart.

Let’s be better to one other.

Here’s an early image of Jobs and a quote I lifted from Life + Times. I think it says it all. – D.J.O. 10.05.11

“Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything – all external expectations, all pride, all fear of embarrassment or failure – these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. Stay hungry. Stay foolish.”

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